Archive for November 2012

Performing Rights Licenses

No Comments »


The thing that makes a concert venue a great one is…well, the music!  Whether the venue has a jukebox for patrons to select their favorite songs or live bands performing on stage, music creates that upbeat and exciting atmosphere.  However, providing music in a venue presents its own legal challenges.  These places need to obtain licenses for certain songs to be played.
Having a license, or at least permission, to use a song in a video production, for example, make the most sense.  The song should be credited to the original author because it’s now on a tangible medium that can be played over again.  Venues, without the proper licenses, can actually get into trouble not only for containing songs on their jukebox that are not covered, but also if a band performing one night decides to play a cover song…crazy, I know! 
Aside from organizations that protect the rights of artists and songwriters when their material is used in media, there are others that focus on the public performances.  Performance Rights Organizations (PROs) actively seek out venues to make sure that if they are having live music of any kind that they need the proper licenses.  BMI, ASCAP, and SESAC provide venues with the proper permissions and require an annual fee.  These fees can actually sneak up on the owners of small venues if they’re not careful.  Earlier this year, BMI caused a few venues in Vermont to shut down their live music, which used to be an integral part of their business and community. 
               The point of my blog is to learn about how to open a music venue, as this is a goal I would like to achieve one day.  I’m not having second thoughts exactly, but learning about the necessity of having these licenses is definitely an eye-opener.  I never thought that there would be scouts out there that find out if businesses house live music and, ultimately, harass them about paying their bills.  Venues just starting out can probably get away with it for a little bit, but even a small coffee shop that seats about 20 people and has weekly music performances can be hit with a hefty $1,000 fee.
               This is something that I find hilarious.  Even if a venue orders their musicians to play only original or public domain songs, the venue is still required to get the proper licenses.  Because, as BMI apparently stated in one case, artists “own certain chords and chord progressions and [the venue] can’t guarantee [their] performers won’t play those”.  If you don’t know how music works, with the multitude of music available now, songs are bound to share the same chords and progressions.  The Axis of Awesome shows a perfect example of just how many popular songs have the same exact chordal structures.  If this is the first time watching something like this, you will be surprised…hope the guys in the video have the proper licenses…

Complexity of Sound

Read more » | No Comments »


One of the most important things in owning a performance venue is having the right sound equipment.  Many people overlook this seemingly simple aspect and its importance, but providing bands with a reliable sound system requires a lot of planning and equipment.  This is going to be a basic outline of how a typical sound system should be set up.

Inspiration and Finding Bands to Play at Your Venue

Read more » | No Comments »



There is just something about going to see my favorite bands play that gets me excited.   I’ve already heard their songs hundreds of times, yet I look for every chance to see these musicians perform live.  Maybe it’s because I’m a musician myself and I’m curious to see how the artists play their respective parts, but it is truly a great experience.